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Showing posts with label kardtalk. Show all posts
Showing posts with label kardtalk. Show all posts

Anyone's "‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎" Playing Cards: Minimalist Genius or Money-Grab?

In a world where playing cards are often adorned with intricate artwork, holographic foils, and custom face cards, a new product stands out by doing... well, nothing. Cardstry group Anyone has launched a deck with no design whatsoever... just the standard card faces and a blank back. 

The question is: is this a bold artistic statement, a clever marketing strategy, or simply an overpriced cash grab?


The Case for Minimalism

The brand’s description suggests that by stripping away all decorative elements, these cards emphasize the core aspects of a quality deck: the way they feel, handle, and perform. This no-frills approach seems to align with a minimalist philosophy, where function takes precedence over form. For cardists and magicians, handling is everything, and a well-made deck without visual distractions could, in theory, be a valuable tool.

Additionally, the product is marketed as a foundation for custom hand-made decks. If these blanks are truly high-quality and serve as a reliable canvas for artistic customization, they could justify their existence. Artists, designers, and collectors may appreciate a durable, blank slate for their own creativity.


The Price Problem

However, at $18 per deck, skepticism is warranted. Standard custom playing cards from renowned card manufacturers— many with beautiful design work, often retail for less than this. The price point raises a critical question: what exactly is the collectors and cardists paying for? A deck that has been intentionally left blank? A perceived sense of exclusivity, given the limited edition run? Or is this a case of “artistic branding” being used to justify a product that, by definition, offers less than its competitors?

One could argue that true minimalism should extend to pricing as well. If the goal is to provide an unembellished, functional deck, shouldn’t the cost reflect the lack of added value in terms of design? Instead, the high price suggests that the brand is banking on the perceived sophistication of minimalism itself—a trend that has seen everything from luxury fashion to high-end home goods sell for exorbitant prices despite (or perhaps because of) their simplicity.


A Collector’s Gimmick?

The limited-edition nature (1100 with 100 made available the first drop) of these cards adds another layer to the discussion. Are they meant to be used, or are they designed to be collected? The answer could influence how one perceives the product’s value. If these decks are primarily being bought as novelties rather than tools for play or performance, their practical function becomes secondary.


Final Verdict: Smart Concept, Questionable Value

While the idea behind blank playing cards is interesting, the execution raises concerns about whether consumers are truly getting their money’s worth. If the quality is exceptional and the target audience values handling above aesthetics, there may be a niche market for them. However, for the average buyer, spending nearly $20 on a deck that deliberately lacks artistic effort feels like a stretch.

Minimalism can be a powerful design philosophy, but when it comes with a hefty price tag, one must ask: is this about function, or just another way to sell less for more? Let us know thoughts in the comments section below.

Is The Playing Card Market Dead?


In a recent post by Ellusionist, the current state of the playing card market was discussed, revealing its challenges and decline. One of the main issue highlighted is the oversaturation of deck designs within the magic industry, contributing to the diminishing demand for new playing card releases.

Ellusionist pointed out that various independent producers, including notable creators like Pigcake and Fraser Parker, have successfully funded their decks on platforms like Kickstarter. However, despite the reputation and creativity of these producers, the trend shows that the market might have reached a saturation point. The fact that these projects garnered around 190 backers each emphasizes the struggle to establish a sustainable market base.

The blog post further delves into the democratization of deck creation, as modern technology has made it feasible for almost anyone to design and produce their playing cards. This accessibility has led to a rapid increase in the number of deck producers over the past decade, overwhelming potential buyers with an abundance of options and stifling the potential for innovation and uniqueness.

Despite these challenges, I personally think there are positive aspects to consider. The competition and modern technology have empowered countless artists and brands to bring their unique visions to life. This has led to a vibrant and diverse array of playing card designs that cater to different tastes and preferences over the past decade. From double-sided cardistry decks, holographic, and augmented reality cards to gilded decks, full foil and thermal decks. While the market may be crowded, it also offers enthusiasts an opportunity to discover new and exciting decks that resonate with them personally.

Ellusionist also shed light on the repercussions of the US Playing Card Company’s move to legally protect its iconic “rider back” design. This protection led to the discontinuation of several well-known decks, compelling magic companies and brands to seek differentiation across various designs, further complicating the market landscape.

Additionally, the post discussed the challenges posed by extended lead times and heightened production costs, making it difficult for producers to respond swiftly to market trends or create new ones. This situation has resulted in a very competitive environment, where differentiation is scarce.

In response to these challenges, Ellusionist announced their decision to discontinue certain deck designs and offer substantial discounts. They acknowledged that playing cards would no longer be a primary focus of their business, shifting their emphasis towards magic tricks instead.

What are your thoughts on Ellusionist’s recent post? Is the playing card market dead?

Social Media Roundup: All The New Decks Spotted at Cardistry-Con Portland


Cardists from around the world have gathered in Portland for Cardistry-Con 2019. At this year's event, a few cool decks were revealed and released. Check it out:

Article originally published on cardistrybeast.com

MPC The ONE (Cardistry-Con 2019)


Official Cardistry-Con NOC



Isometric X Trix



Fontaine Chocolate Edition




ORBIT CC First Edition






A post shared by 𝗢𝗥𝗕𝗜𝗧 (@theorbitdeck) on


ANYONE Cap Logos







A post shared by ANYONE (@anyone) on


ANYONE Houndstooth (Image by @Socal.playing.cards)


Official Cardistry-Con 2019: CCC Edition (Image by @Socal.playing.cards)


Z-Deck



MYTURN Hotel and Casino (Image by @Socal.playing.cards)




ANYONE Holo Mirror



Fontaine Futures

Mystery decks with the possiblity of 6 different outcomes: Glitch (1 of 1000), Polka (1 of 1500), 500 (1 of 500), Window (1 of 2000), Floral (1 of 2500) and Parrot (1 of 2000)


DIVA French Edition



BLOC Plush Edition



Squeezers V2 Lemonade



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Social Media Roundup: New Decks Announced at Cardistry-Con Hong Kong


At this year's Cardistry-Con in Hong Kong, a few cool decks were revealed and released during the event. Check it out:

Tally Ho Cardistry Con 2018 (Bicycle Cards)


Cardistry Touch Pulse



Technique Signature



Bitcoin Playing Cards (Andrei Jikh X Patrick Kun)


Cardistry-Con 2018 (Art of Play)


RipnDip x Fontaine




A post shared by Grace&Gentle (@lunzi1211) on


MPC ONE Cardistry deck



COPAG 310 Cardistry



HYPE V2



Cardistry-Con Championship

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