F For Fulton Playing Cards

This commemorative deck of playing cards was designed specifically for the 10th Anniversary Celebration of FULTON’S Playing Cards as a companion piece to “Clip Joint 10” with an updated history and narrative companionship:

In the late 1970s the Magic Bar & Club known as “F for Fulton” was born. Los Angeles is known for The Magic Castle–but many forget that ‘F for Fulton” was a popular spot for many underground magicians- as well as the first place The Buck Twins tested the room for Cardistry as child performers.

Known for good times, smoky rooms, and their signature drink, The Sunset Blvd, this place was too good to last forever. Here at Fulton’s we have the last known supply of their house playing cards. Sure to be your favorite deck, “F for Fulton” -remember that.

This deck will be the FIRST of the CLUB 37 Series. Over the next few years, Fulton’s will be producing numerous decks that pay tribute to the origins of custom playing card decks. Exciting!

The back design pays homage to one of Fulton’s favorite decks (and magician), Tom Mullica’s Tom Foolery. Inside, the face cards are pretty much standard.

Limited to 700 decks, F for Fulton and other CLUB 37 Classics come housed in a commemorative in a burgundy colorway with a metallic gold tuck printed on vintage letterpress machines. The tuck is a “Fultonized” take on the original Custom Division Tuck used decades ago by the US Playing Card Co. Available now for $17 on fultonsplayingcards.com.

Also available is the F for Fulton After Hours Edition for $52. According to the product page,

This is the official CLUB 37 Edition of F for Fulton sold to members of this unique and bizarre club.

The AFTER HOURS edition is printed on deep black stock accentuated by metallic gold Pantone letterpressed ink. Sealed with the EXCLUSIVE Club 37 Seal. Limited edition of 150.

Ace Fulton's Casino Cowboy Denim Playing Cards

Inspired by vintage casino playing cards, the iconic Ace Fulton's Casino playing cards combine a retro style with a modern stock and finish. In 2013 Brad Fulton had the idea to make a version of his legendary Ace Fulton's that resembled “Cowboy Denim.” Growing up in the American West, Brad was always inspired by the faded jeans of cowboys and the contrasting stitching seen on the seems and pockets.

 
Working with his partners Dan and Dave Buck, Brad Designed the ultimate Ace Fulton, complete with patterned inside tuck printing. However, something went horribly wrong and the deck was never released to the public and only a handful of the originals remain.

 

Released late last week, the Ace Fulton's Casino Cowboy Denim is produced to the original standards envisioned almost eight years ago. The tuck box is printed by Clove St Press on recycled denim with beautiful Gold foil stamping and internal pattern foiling.

 
For the first time in years the original Ace Fulton Custom Face and Court Cards return along with Lady Luck and the color stroked iconic Ace Fulton Spade. Complete with the original Ace Small Indices.

 
Printed by US Playing Card Co on Cambric Thin Stock developed by Dan and Dave Buck for the Hollingworth Project. Available now from fultonsplayingcards.com for $17.

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Ace Fulton's Casino V3 Playing Cards

Ace Fulton's Casino: the Ace Fulton's Casino V3 Playing Cards of the latest release by Fulton's Playing Cards. This new rendition showcases the first approved back design concept that was never put into production, making it a unique addition to any deck collection. 

Designed by Dan Phillips, the original artist behind the Ace Fulton concept, this version is based on the blueprint for Ace Fulton V1 that was initially planned for release in 2011. After countless hours of refinement, the now-famous Ace Fulton's was born, but this particular design was set aside. Now, after 15 years, it has finally been brought to life.

The V3 deck stays true to the original vision with its long flaps reminiscent of the iconic 1970s Vegas style. The striking contrast of deep blacks against a specially formulated vibrant 037 Orange creates a visually captivating experience. 

One of the standout features of this deck is the thick borders on the card backs, a nostalgic nod to the classic designs of the past that exude elegance and sophistication. The courts and pips are pretty much standard but recolored with black and vibrant orange to match the overall theme of the deck. 

Don’t miss your chance to add these striking cards to your collection. Available now on Fulton's Playing Cards for $19.77.

Fulton’s October V2 Playing Cards: A Haunting Sequel 12 Years in the Making

Twelve years after the release of the original Fulton’s October, one of the most iconic Halloween-themed decks ever produced, artist Steven Noble and designer Brad Fulton have reunited to conjure an all-new sequel. 

Fulton’s October V2 Playing Cards First Edition revives the spirit of the original while pushing its eerie artistry into bold new territory. Renowned for his scratchboard technique, Steven Noble brings a chilling yet playful hand-illustrated style to the deck, capturing the spirit of the afterlife and the mischief of Halloween. 

The card backs feature a bold black border framing a Jack-O’-Lantern character who returns from the first edition—this time clutching his old companions in skeletal camaraderie. Every number and letter on the cards has been painstakingly redrawn in a bone-inspired typeface dubbed the “Fulton Font,” giving the entire deck an organic, skeletal rhythm. The courts and Jokers lean further into this skeletal aesthetic, delivering a visual identity that is both macabre and whimsical, perfectly embodying Fulton’s October universe.

The tuck box itself is a piece of art, with custom illustrations, deep embossing, and a fully illustrated interior. Opening it reveals an all-new cemetery scene designed as a tribute to Fulton’s longtime friend, actor Tony Todd, immortalized within the deck as the “Candyman” in his afterlife.

Also, the limited edition inversed interior art boxes are available. Only 66 were produced, each individually numbered and somes with a numbered tombstone seal. The deck inside features the standard October V2 cards.

Printed in China on Premium Thin Cardistry Stock and available now on Fulton's Playing Cards for $20.

The Deal with Mr. Fulton Part 2: Art of Play, New Fulton's, and Keanu Reeves!

For this exclusive interview, we are honored to have a guest post from Austin Perez (Instagram: @austin100s). In the second part of this guest post, Brad Fulton (Instagram: @fultonsplayingcards) talks about Art of Play, new Fulton's, industry trends and Keanu Reeves. Enjoy!

If you missed the first part, check it out here!

In your opinion, what playing card companies have been on your radar for some of the best?
D&D Playing Card Company. Dan & Dave are the savants of Playing Cards and have produced some of the best. I like Blaine’s Cards. Jackson Robinson is very talented. We’re going to work together in the future for sure. Whispering Imps were a beautiful deck.

What is one trend you do not like that is happening in the card community right now?
I’m not a fan of repetition. It seems like many people are hitting the xerox machine too often. For me to like something, I have to feel the passion and the originality—not just ripping off somebody’s concept and changing some colors. I want to see somebody create something totally new and personal to them. Their story. I want somebody to create a universe of their own design and we can visit it in a deck of cards.

What is a trend that you do like that is happening in the card community right now?
I like the quality increase in printing. Clove St is doing great boxes and ideas Dan & Dave and I only dreamed of. We used to sit on a bench in front of a Chinese Market and dream up ideas for business cards. Dave and I always wanted insanely expensive stuff and had ideas like business cards that cost $20 each and were folded into a collapsible cube etc. Back then these ideas were hard to execute but now they’re a possibility.

When you’re not busy on a project what do you like to do that gives you a sort of detox from the stress?
I’m not a big TV guy and most modern movies aren’t my thing. I like the antihero more than the hero and it seems like now we only have the superhero. My hobbies would be shoe design and New Balance as a company. My good friend Samuel Pearce is a talented young shoe designer and I like seeing what he comes up with next. His shoe the X-90 is interesting for me to pick apart. Hahaha. So, my hobbies are design-based. That and eating so let’s be glad I like to design more or else I couldn’t fit in my car.

Recently Cartamundi bought out USPCC. What are your thoughts on arguably the two biggest card companies now being owned together?
It’s probably positive. I’ll take Cartamundi buying it because they actually care about cards. That beats an investment firm that just wants to pad their portfolio. I defer to the Card Gods on that sale, and both Dan & Dave are excited so that’s how I feel.

What would you like to see out of this sale that Cartamundi made?
I just want USPCC to stay in the USA. I’m a huge proponent of American Made and quite frankly nobody can make cards as good as the USPCC. Maybe the ability to print very small runs of cards so I can reissue a new color of old stock, or try out something that may be a little too marginal or bizarre to sell 5,000 of.

Since you’ve been in the custom made playing card industry for what seems like the beginning of it what has been the biggest surprise trend in the past two years of it?
When I got into these custom cards were really not a thing. We had David Blaine and that’s about it. After Smoke & Mirrors I didn’t envision anything. That deck didn’t make The Bucks rich. It sat in their apartment and I’d go with them to the Costa Mesa Post Office to ship them piecemeal. I never imagined for a moment you could do this for a career. So, my surprise over the past few years is my surprise regarding the whole thing. I’m shocked at the number of cards that are made per year. And it’s a great thing the industry has grown. Instagram is a huge reason.

When starting out with the Fulton’s Clip Joint did you expect them to be as memorable as they are? I see that they were inspired by your grandfather. Care to elaborate on how much of an influence he was in your artistic vision with them?
My grandfather Sam Fulton was a real noir character. The toughest man I’ve ever met. He would scare doped out panhandlers when he was approaching 80 hahaha. He always had a white shirt and black pants, and his stark, thick white hair was recognizable from a block away. He built planes during WW2 for Boeing, doing all sheet metal. His spirit influenced the deck, not the location exactly because he hated alcohol and called people who drank “lushes” (haha). His house was grey with black trim. The most devastating moment for me as a young man was losing him. He was my male role model and I infused the deck with his no-nonsensee but stylish personality. It was a place he’d be holding court—the whole place mesmerized by his stories and bizarre sense of humor.

I didn’t think anybody would be talking about the deck almost ten years later! My philosophy is as an enemy of trends. Everything I like is classic. So, in the back of my mind, I may have dreamed it became like a Tally-Ho and people could use it in the future without it being dated. I get so many nice messages all the time calling it “the greatest deck ever designed” and for that it never gets old. The point of designing is to inspire others and make them happy.

Recently, people have been discovering that when you flip the Fulton’s October tuck box you are greeted with a beautiful reverse image. How did you come up with that idea and did you expect anyone to actually reverse the tuck? 
Hidden objects are what I love. All my decks have things hidden in them that I’m surprised nobody has found. So, for me, it was a mystery. I love mysteries. I just imagined some kid opening a deck and peeking inside and wondered how many would tear the box open to see the whole thing. Noble and I had a blast envisioning this vintage Halloween scenario with all the fun old pranks you could pull on your neighborhood. A while back some guy messaged me with a little clip of his perfectly flipped October Box. I was impressed. After that, it spread like wildfire. My next deck with Noble you can count on more fun stuff.

As someone who has known Dan and Dave for years now, what was it like seeing their companies such as Art of Play start from such humble beginnings? How does it feel now that your cards are so popular on their site, that they almost always sell out within hours or days of release? 
I’m constantly amazed by D&D. You know sometimes you have friends and they change. They just do over time. The Bucks have not changed who they are, they just tightened up their belt in running a business and learned how to do it better. People often ask why my cards weren’t made for a few years and the answer to that is...D&D put everything on hold to restructure and grow the real way. In the beginning, you have to understand The Bucks came from a small mining town in Nor Cal to Costa Mesa to attend community college and dream big. They didn’t have a trust fund. Their entire empire was done piecemeal. They were slinging DVDs at conventions and worked their way up. I truly paid the cost to be the boss. I’m just a few years older but I feel like a dad, or older brother watching the youngsters make it. I’ll tell you an aside to illustrate who The Bucks are. In 2010 when I had my accident, falling down the stairs and being pronounced “dead” for three minutes they were in South America. They were booked for a lecture series. When they heard what happened, they called my hospital room to tell me they’re coming back early and wanted to be with me and help in any way. I never forgot that. It’s an honor to be associated with them.

So the year has just started, and you have already dropped one of the most popular decks, the Pink Ace Fulton’s Casino, to a lot of praise. What else can we expect from you this year? There have been murmurs of a new Fulton’s Octobers and a possible Clip Joint. 
Yes, the sequel to Clip Joint is getting all the pre-press stuff done right now. It’s epic. It’s completely new yet familiar. And I do have two Halloween Decks in the works. One will hopefully make it here for this Halloween while the other I’m guessing is delayed because it’s not ready. A big surprise will come from me this year and it’s something never done in cards before. Dan Buck and I have really worked hard on this and it’s a true celebration of my work thus far. I do think people will take a step back and wonder “what the hell is this?”

Finally, looking through your site, viewers are greeted with some great portrait photography of some amazing shots! One that stuck out to me is the one of Keanu Reeves! How did you manage to get that into your portfolio? 
Thank You. I’ve done many portraits of Hollywood Actors in my career. I love portraits. Keanu’s agent wanted me to make some portraits of him when he was in between films and doing some promotional stuff. There’s a reason he went from starring as Ted in one of my favorite films to a legitimate superstar. His work ethic is inspiring, and he treats everyone with great respect.

After reading these answers and talking to Mr. Brad Samuel Fulton the sense of passion for his craft is rarely matched. Very few creators can have such an impact in their field as much as Mr. Fulton has done. With the amount of history combined with the overall genuine personality he embodies, it’s very difficult to not see why he is a master at his craft. If you want a chance to own a piece of art go out and buy a Pink Ace Fulton’s Casino deck while supplies last on Art of Play. As for now, I am excited for future projects to come!

This segment is written by Austin Perez (Instagram: @austin100s). No part of this article can be reproduced without written permission from the author and Kardify.com.

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Fulton’s Gunsmoke Playing Cards

Fulton’s Gunsmoke Playing Cards marks a long-awated entry into the Western genre by Brad Fulton. Illustrated by Ethan Kowaleski, the deck is a heartfelt tribute to classic Western cinema and culture, an enduring passion of Fulton’s- brought to life through intricate, stylized artwork.

The deck sports the classic “Stud Blue” colorway, blending vintage charm with modern design, making it an instant favorite for poker nights and collectors alike. The deck features a custom, intricately designed Ace of Spades, indices, Jokers, and beautifully detailed card backs. While the court cards are standard, they've been recolored to match the deck’s overall aesthetic.

One of the standout features is the tuck box, which is a tactile experience in itself. It boasts custom embossing, metallic Pantone inks, and a unique squared-off long flap—a subtle but deliberate nod to one of Fulton’s favorite vintage decks. 

The cards are printed in China on premium Cardistry Thin-Stock. Available now on Fulton's Playing Cards for $20.

Celebrate 10 Year Anniversary of Fulton's Chinatown With This Limited Edition Deck!

The 10 Year Anniversary of Fulton’s Chinatown playing cards is here in a special “Fulton Orange” Colorway. Chinatown was originally released for Chinese New Year in 2012 to celebrate the birth of Brad Fulton‘s daughter, and the Year of the Dragon. This is a celebration of Los Angeles Chinatown, a place Fulton spent many years frequenting.

The striking deck features artwork by Daniel Phillips and sports a black line art on Fulton Orange colorway. Tuck Box is foil-stamped orange on black matte thick box paper and letterpress printed by Clove St. in San Diego. Limited to 999 decks.

Available now on fultonsplayingcards.com for $18.88.

Ace Fulton's Casino (Bootleg Edition) Playing Cards

Ace Fulton's Casino Bootleg Edition playing cards is a playful and self-aware take on counterfeit culture, reimagining their iconic deck through the lens of imitation and reproduction. Rather than being an actual knockoff, this release is an intentional “bootleg” created by Brad Fulton himself.

Inspired by a real encounter with counterfeit Fulton’s decks found in an Asian night market, the concept leans into the idea of copying by recreating the deck using an old Xerox-style process. 

The result is a facsimile of the original Ace Fulton’s Casino design... intentionally imperfect, raw, and stripped down to a photocopied aesthetic. It even draws from an early version of the deck that never officially went to print, adding an extra layer of rarity and intrigue.

The tuck box continues the theme, designed to look like a simple matte photocopy, reinforcing the underground, bootleg feel. Despite its lo-fi concept, the deck maintains strong visual appeal.

Limited to just 400 decks, and available now on Fulton's Playing Cards for $25.

Ace Fulton's (Cancelled Edition) Playing Cards

A rare find has surfaced from the archives of Las Vegas lore: the Ace Fulton's Cancelled Edition playing cards. Discovered in the original Ace Fulton's Casino, these decks carry a piece of history with every card. 

Once sold in the casino’s gift shop, the decks were “cancelled” with a single hole drilled straight through the center—an old-school move to prevent players from reusing them in the legendary games that defined the Fulton's mystique.

What makes this release especially notable is that, for the first time ever, the classic Ace Fulton's court cards have been rendered in traditional red, blue, and yellow. Standard court colors that bring a fresh yet nostalgic twist to the familiar faces. A subtle change, but one that transforms the deck, highlighting the timeless charm of the design.

Less than 500 of these decks were made available. Also available is an extremely rare batch of 50 Gilded Editions in both Silver and Gold. Available now for $12 on Fulton's Playing Cards.

The Deal with Mr. Fulton Part I: Buck Twins, and Creating Playing Cards

For this exclusive interview, we are honored to have a guest post from Austin Perez (Instagram: @austin100s). In part one of this guest post, Austin interviews Brad Fulton (@fultonplayingcards) for an insight behind Fulton's brand, relationship with the Buck twins, history of Cardistry and creating playing cards. Enjoy!

Playing cards are used for various reasons. Whether it’s playing a game of poker, performing magic, conning people with Three Card Monty, or making moves for your cardistry video. All these things involve the use of the hands to show why the cards are there. They need you to make something out of them.

Fulton’s Playing Cards are quite peculiar in a way it seems. They tell you stories by you just looking at them. From the cards to the tuck no detail is ever spared. The creator intended for the users to be able to look at them and go, “Wow, I wonder where that place is…” That creator is Californian native Brad Samuel Fulton. Mr. Fulton and his love for playing cards have been influential in the custom playing card world since its earliest days. From working with Dan and Dave Buck to now he has been a voice for the storyteller and artist that can be formed with a medium that is meant to be hands-on. Today, he takes time out of his forever busy schedule to sit down and talk.

So what really brought you to playing cards? Could you recall your first memories of it?
My first memories of playing cards were probably like most Americans. I played “Go Fish” and draw poker with my grandmother and never really thought about their design. Cards to me were Bicycle or Tally-Ho. In fact, playing cards seemed so standardized that it was hard to imagine changing them—kind of like money—nobody imagines redesigning the five-dollar bill. That all changed when I met Dave Buck when we were very young adults. For years I’d go with him to Costco where the Buck Twins would buy the mixed brick boxes of Bicycles. The twins would open two bricks in the store and remove half the color from one to create either a totally solid red or blue brick not mixed. It was the first time I thought about playing card colors.

As a playing card brand what was the first big challenge that really made you go all in, win or lose with this market?
I never thought about starting a brand. Clip Joint was a passion for me. I had the idea and needed to bring it to life. There was no spreadsheet forecasting sales, or even thinking about making money. It wasn’t a cash grab. I’m an obsessive person and it is was pure bliss to create that deck and then finally hold it in my hand and also see my friends use it. For the brand to become popular was really a bonus.

Do you have any advice for people wanting to start their own?
Be passionate. Don’t do some parody. Have respect for the genre. Playing Cards are such an amazing medium that you should really love them and think about each step of the process and have fun. You know the old adage if it’s not fun why do it?

Any advice for brands that are out there right now?
No, I don’t. Everybody will just do their own thing and it will work or it won’t.

When it comes to archiving some of the history of cardistry you were one of the first with Dan and Dave. Looking back what did you think would become of this?
That’s an interesting question. Somebody at a local meetup said to me last week jokingly “You S.O.B. You started this Cardistry photography craze and now it’s all I see on Instagram!”. It was pretty funny. Dan & Dave were my friends. Dave was working at the Apple Store with me so trust me nobody was getting rich or even seeing that as a goal. We just had a lot of fun together. I was finishing up at USC Film School and wanted to experiment with photography and what better subject than your friends? They were always ready to go, and we worked tirelessly. I knew the Bucks were special. They had something very few people have and that’s creativity and obsession. But on the other hand, I always thought that with a talent as unique/marginal as theirs it would be hard to make mainstream money. So, in all honesty, I didn’t have a clue where Cardistry would go. Certainly, I never imagined a convention for it. The Bucks envisioned going into filmmaking as did I. So, in a way I guess we’re just failed filmmakers Hahahaha.

Did you ever tell yourself that this hobby could become your passion as it is today?
Honestly, I’m not sure I ever thought it through that far. I felt so lucky to be working with my friends and getting paid to create ideas.

With so many playing cards nice being printed with an air cushion finish as the standard, what made you stick to the cambric 37 and ivory 37 finishes for your recent cards?
I’m a big card stock fanatic. I really beat cards up doing shuffles all day long to really see how cards change and handle. It’s a big deal to me. We developed the crushed stock for the Guy Hollingworth project which was another obsession/passion project of mine. Guy loves the old Studs that have this really thin, pliable feeling. The Bucks love it too. So, we used that for some of the new Ace Releases and I insisted on an Ivory 37 for the metallic gold since it shows off that ink so well. There’s no embossing to take away from that glorious finish. The downside is that people now are used to the crushed stock after it took off, so an Ivory 37 is going to feel quite hard in comparison.

What deck would you go back and do touch ups on if you absolutely had to? What would be those touch up if there were any?
The metallic gold printing on Chinatown is not up to my standards. That was an era of custom printing that wasn’t as defined or accessible as it is today. We had to pioneer a lot of things back then. The proofs were very different and the metallic gold the USPCC uses today is so much better. The design and box of Chinatown are still great, but that metallic gold doesn’t pop enough so that’s my one past obsession.

Looking at the names of the colorways of the recent three Fulton Casino’s decks they seem to have the similarity of being named after movie-inspired things. Do movies ever inspire you for the colorway or do the colorways come first and then the name after?
Well, I love the Wizard of Oz. So back in 2014, I had bought the book to read to my kids and it made me revisit the movie. I thought how cool an “emerald city” and a “yellow brick road” deck set would be. So, in that case, the movie inspired my color choices. On the other hand, Pink is one of my favorite colors and I love John Hughes, the writer of Pretty in Pink so that name was just a chance to name something after an era I grew up in.

Looking at your sci-fi photography portfolio is something of a treat with what seems like Twilight Zone and David Lynch inspired aesthetic. Will we ever see any sci-fi decks from you that are like your photography?
I’ve been working on one since 2013. The mood board and archive of designs for it could fill a room. This is actually Dan Buck’s favorite project I’m working on and he’s been a champion of it since its inception. Hopefully, it’s just a year or so away. But that’s an aesthetic world I live in. Just my point of view is pretty obvious aesthetically from my cards and photography, and it hasn’t changed since I’ve been a small boy.

Has it already played a role in any previous decks you’ve created?
The way I see the world is probably quite skewed. I live in a black and white episode of Rod Sterling’s Twilight Zone. I’ve always had a quirky way of seeing things so I guess you can say that anything I make will be in that universe.

Looking at the iconic Fulton design philosophy of making sure the cards have a story to tell, how long does it take you to come up with a brand new deck idea?
Well, the ideas come easy. I have an entire folder of decks that are conceptually made but the process of getting that idea completely fleshed out and executed can break your back. Clip Joint, I had the idea and sketches in 2010. I had numerous artists lined up but, in my gut, I knew nobody could make it happen like Daniel Phillips (DLP). Together we have a real connection where our frame of reference is so similar that it’s a shorthand. I can say “like the gold door design on...” and he’ll say, “Dragon Inn on El Camino Real in Oceanside.” It’s bizarre. Dan turned me down for six months for Clip Joint because he had a fear failing since he’d never designed a card back. But I’m very persistent and he wasn’t getting off the hook. The rest is history. I think that deck took a year. Right now, I’m working on my new Halloween Themed Deck that’s fallen through three different artists and been conceptually finished since 2014. So, it’s frustrating but at the same time, I can’t release a FULTONS Deck and feel I really did it halfway. The most difficult deck DLP and I ever worked on was Ace FULTONS believe it or not. Simple designs are extremely difficult. As DLP says, “there’s nowhere to hide.” And our finished Ace Deck had a few changes made by Dan Buck that in hindsight, make the cards work. He’s really the master of looking at a card back and adding these touches that make it sing. Easiest deck ever was October with Steven Noble. That came together so fast. Steven is a genius. And I’m not sure when he sleeps because he’ll hit you with proofs in a few days and I can’t understand how he does it.

With some of your works being in, what I would say, different genres of art, which one of the decks was the hardest to put to press for you or come up with?
Ace Fulton by far. It’s the only deck where I thought it might never work. It went through 100 revisions and I could probably make a living off the “B Roll” alone. Some of the old designs for it in hindsight are amazing. DLP and I work so smoothly together but I think that deck took us to the edge of sanity, and a case of beer for DLP. But it was worth it. It stands the test of time.

Read the second part of the interview here! Brad talks about Art of Play, new Fulton's, industry trends and Keanu Reeves.  Stay tuned! 


This segment is written by Austin Perez (Instagram: @austin100s). No part of this article can be reproduced without written permission from the author and Kardify.com.

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